The Importance of Being Detailed

Details make a story BLOOM

Through my querying history, I've learned a few things about writing from friendly agents who really do want to see new writers improve, and who took the time to offer suggestions and explanations for what they really wanted to see.

Most of the tips I've received relate to detail.

• I'm not feeling a connection to the main character.
• The setting isn't unique or vivid enough.
• It's too much like something else I've read or seen.

Though these seem like vastly different complaints about the same book, and might lead aspiring authors to throw up their hands and give up, I was lucky enough to have awesome critique partners who saw the connecting thread:

DETAIL.

I can hear you sighing from all the way over here, because you know that an amateur mistake most writers make in the beginning is adding too much useless detail, flowery prose, and tidbits that don't further the all-important story. But there's another side of the coin, too. In an effort to further the plot and avoid over-writing, I'd gotten into the habit of under-writing (and not in that legal, get paid for it definition).

I'd become stingy with the details. It turns out that this is a fabulous way to write a first draft, because the story just plows onward through conflict and climax and resolution without getting hung up on unimportant details like the color of somebody's hair or eyes, or the way the wind caressed somebody's face with her falling locks. In the first draft, you may not need to know that the flying buttresses reminded your MC of Cogsworth's tour in Disney's Beauty and the Beast, and that she expected at any moment to come upon a ransacked West Wing where a caged rose wilted eternally.

But those are just the sort of details that can imply hidden emotion, conflict, and desires that help a reader connect to the main character. They're just the sort of details that establish a setting unique from other [insert saturated genre here] novels. They're just the sort of details that make the story yours and no one else's.

Details matter.

So while you're working so hard to avoid over-writing during a first draft, don't forget to reread with all five senses wide open to the world you see/hear/smell/taste/touch in your imagination. Because even if you're seeing it vividly, your readers might be missing out on something important--a connection.

Thank you to Angela and Lindsay, my CPs who so often make me open my senses to my own fictional world.

THE DUFF: Amparo's Interview with her Favorite Character

Who are you? The Casanova or the Wing Man? The Beauty or the Designated Ugly Fat Friend?

If you're the latter--or even if you're not, but just think you might have been at one point--you should read... THE DUFF.
















But before you do, you can get to know Bianca, the girl who made DUFF cool, over at Amparo's blog. Author Kody Keplinger answered six of our questions as her awesome character, and some of it gets pretty deep/profound/life-changing. Suffice it to say, you don't want to miss it.

http://amparo-ortiz.blogspot.com/2010/10/character-interview-with-kody-keplinger.html

And later this week, Lindsay (aka Isabella) will have a character interview with Luc from Personal Demons (by Lisa Desrocher). Stay tuned for that swoon-worthiness!