Thursday, October 19, 2017
Thursday, October 12, 2017
A writing career, just like any other kind, starts at the bottom and works its way to the top. It's a journey, filled with pot holes (hee hee, plot holes), and Eureka moments.
In 2008, my Aha moment said, Writing on a daily schedule yields faster, better results.
When you write every single day, or close to it, your story simply has more cohesiveness, more natural flow, than it will when you put months between each chapter. Not to mention how your writing style will change over time, even if you're not writing regularly. If you want to see what it looks like when 19-year-old me writes Chapter 1 and 23-year-old me writes Chapter 27, I've got a manuscript that can demonstrate it palpably. An unpublished manuscript. A terminally unpublishable manuscript. I will never do that again.
Another pot hole I faced as a writer was my essay training from high school, which told me to seek out the fanciest word to drive home my point. Never, ever use was or said, my teachers said. If you try to take every was and is/were/are out of a paper or manuscript, you will end up with some funky variations on sentence structure and some even funkier word combinations. Or maybe it's just me.
(e.g. It was proven that the chicken pox are contagious.
becomes-- The researchers found that chicken pox bore communicable properties.)
Stilted much? Yeah, this won't sound good in your YA novel. Thus, my next Aha moment came after my third book (we'll skip right over the sequel I wrote to the first book which had all the same problems as the first, but with a catchier ending).
It said, Stop trying to sound smart.
I am smart. You are, too. But we don't have to prove that to our readers by using words like ruminated where it would sound more natural for the character to say thought or pondered. Sure, if you've got a narrator or character who would use that word, like John Green's child prodigy in An Abundance of Katherines, then by all means, say ruminated all you like. But not because you're too good for boring words.
|A Pot Hole|
A rough outline is better than no outline at all.
Which leads me to today's Aha moment. Two books later, I am still learning the importance of story structure and planning in creating the elusive perfect novel. Meandering? Still happens to me, unfortunately. I'm finally frustrated enough to do something about it. Enter Larry Brooks of storyfix.com:
"In essence, story development separates into two sequential realms: the search for story… [followed] by the rendering of story."
otherwise realized as...
If it took you half the book to figure out your plot and character arcs, the reader has no hope.
Smart guy, that Larry Brooks.
What Aha moments have you had lately? What road blocks or pot holes have you hit?
If you're about due for another epiphany, check out Larry's article: A Mindset Shift That Can Get You Published, which inspired this post.
Originally published on Operation Awesome, January 2011.
Thursday, October 5, 2017
Are you a storyteller or a wordsmith?
Of course, it would be nice to have it all, but nobody starts out that way. That's why we call writing our craft.
So which part of our craft is your strong suit? Storytelling, with its plot structure, twists, and revelations? Or wordsmithing (how can that not be a real word?), with its heart-piercing phraseology and dew-from-heaven gloriousness?
It's an important question because the answer can tell you where you need to focus your practice.
Me, for instance. I've got wordplay down to an art. Okay not really, but I became a writer because people told me I write well, not because people said I come up with the most air-tight plots ever. So I fall in with the wordsmith lot. For me, this means my current focus has to be plot. And not just plot. Storytelling includes characterization and setting, so you can see I have my work cut out for me.
|My 3-year-old is a wordsmith already. Aw!|
Knowing where my strengths lie as a writer gives me focus, but it also reminds me to allow myself a little failure in my weak areas.
It's okay if my first draft is filled with plot holes. For me, revision is less about crafting perfect sentences and more about re-imagining the story... over and over again, until it all fits. And, of course, since this is my cross to bear I think storytelling is much harder than spinning beautiful phrases. Which is more difficult for you?
Now you know what to work on this weekend.
Now you know what to work on this weekend.
Originally published on Operation Awesome in December, 2010.