Wow.
It was a random tweet that sent me seeking out IF I STAY at my local amazon.com. If somebody had presented me with this book last week and told me, "You will cry at the end of every other scene," I would have raised a quizzical brow. No book could sustain that kind of emotion without sending readers off clamoring for a break.
It was masterfully done.
From the very first chapter, I was disturbed (and I can't recommend this book to anyone under sixteen, on principle--I wouldn't recommend a great R-rated movie to such a tender age-group either). But the way this book disturbed me was not grotesque and showy. It was by realism and raw emotion.
"Please, Mia. Don't make me write a song," was only one line that brought the torrential tears. But the poignant passages are interspersed with flashbacks on (mostly) happier times. This was enough comic relief and character development to keep me reading nonstop. Since there are no chapters, per se, there's no good stopping place. If you pick up this book, plan on reading for several hours. :-)
But there is a feeling of chapters with the one-two motion of present-tense action and thought, then past-tense stories and memories. Now-flashback-now-flashback-now is the way it goes. You'd think it would be distracting, but it flows smoothly. This is the first book I've read that utilizes first-person present-tense (I know, I know, where have I been, right?), so it was distracting to me for the first few pages. But the story and the characters quickly eclipse any thought of the format.
Several times, I paused to think how much I loved a certain character. They are all too bizarre to be fiction. They are real people. It makes you mourn those who pass on, and grieve with those who remain. This is how every fifth paragraph brings you to tears. You've been warned.
I'm not the first to say--and I surely won't be the last--THIS STORY IS PHENOMENALLY TOUCHING AND PROFOUND.
There were things I could have done without, as a Christian YA reader (preferring fantastic escapism to gritty realism, so take these thoughts accordingly).
-Language: Way too much swearing for my liking. I realize we are talking about punk rockers and dire straits here, but, as someone unaccustomed to that vocabulary, it pulled me out of the story.
-Sex: Yeah. I'm all about sexual tension in YA, but this was a bit too edgy for me. As in, it crossed over the edge into actually depicting sex. This may be okay with some YA advocates/readers. It's on my don't-like list of literary attributes.
That was it. Not an exhaustive list. Just two things that caused some dissonance for me, personally.
Otherwise, I have to give this book a glowing review and declare its author a practiced and brilliant story-teller. Thank you, Gayle Forman for a touching, beautiful story. Any reader can tell that you poured your heart and experience into this novel, and the world is better for it.
P.S. As always, I welcome your comments and discussion. That's why I write, people.
Also, check out the book website: http://www.ifistay.com/ and movie gossip: GOOGLE: if i stay movie summit (Catherine Hardwicke directing, Summit producing, Dakota Fanning as Mia)
Showing posts with label #yalitchat. Show all posts
Showing posts with label #yalitchat. Show all posts
Monday, May 31, 2010
IF I STAY by Gayle Forman: My review
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Monday, May 10, 2010
Twitter, revisited
Some additional things you should know:
#yalitchat happens on Wednesday evenings, and is a LOT of fun with writers, agents, and readers. Just search #yalitchat and you'll see everything that's being discussed. If you want to talk to somebody so that everybody can see, use the "mention" or "reply" feature. If you want it to be private, DM (direct message) them instead. I find this particular chat to be fun and helpful, but there are other chats, too. Usually, you can find them via writer and industry blogs.
The great thing about joining a chat-in-progress is that there's a steady flow of conversation and ideas, and you have a chance to be witty and quippy. People usually add you as a friend if they appreciated your contribution.
As far as garnering followers, I'm still figuring this out myself. Joining a chat seems to be a great way. I also retweet things I especially enjoy, and often the person I quoted follows me back.
Twitter etiquette: never reply to a stranger or DM them just to give them your links--unless they asked for it. :-) It's a big turn-off, and I've unfollowed people because of it. There are plenty of opportunities to tweet your links without this, anyway. The people who do this usually don't get many long-term followers. If somebody mentions you or retweets you, it's nice (but not required) to thank them, either publicly or in a DM.
All along, you'll get "spam" followers--people who have nothing to do with you or your tweeting subject, but just want you to buy their products. Just ignore them, unless they're offensive. Then I block them. If you ignore them, they'll probably unfollow you, but you're better off without followers like that!
If someone follows you who does share your interests--FOLLOW THEM. They're more likely to take an interest in what you're saying when you reciprocate.
My favorite published authors and agents on twitter are the ones who are friendly. They respond to a question of mine, or ask questions of their followers. e.g. "Writers, what would you like to know about the publishing process?"
The best way to use twitter is to correlate it to your blog. Whenever you update a blog post, tweet it--that's the obvious one. But people are getting really creative with it, too. You can have a twitter contest. The author of Gimme a Call started a twitter revolution when she invited tweeps to write letters to their high school selves in 140 characters. My fave was "Dear High School Self- Put the tweezers down! #gimmeacall." By getting everyone to use her title as the hashtag, people were (sometimes inadvertently) advertising her book! Publishers have had contests to win free signed books. One asked people to write a rejection letter to an author in 140 characters. Just make sure you tell them a hashtag (#) to use so you can search the responses!
Lead a discussion using the hashtags, too. Talk about what you #amwriting (a popular hashtag). Or make up your own hashtag and invite readers from your facebook page, blog, and twitter to contribute to a groupthink.
Those are just some of the ways I'm seeing twitter used successfully.
Follow authors (we always follow back), agents, editors, publishers (they are coming to twitter in droves). When you are looking at somebody's profile, you can see their LISTS on the side of the page. Agents often make a list of their authors, so you can actually click "follow this list" and now you have access to all of their tweets. I've done this on some aspiring authors' profiles who had an AGENT list. It's really helped me to discover more agents, which will be good when I'm done with my WIP and ready to submit. You can create lists, public or private. I keep my family list private, but my "Book People" list is followed by a dozen other people.
Find me on twitter: @Katrinalantznov
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