Wednesday, July 14, 2010

Why I Love Nathan Bransford (platonic-ally)

I have no reason to suck up because Nathan doesn't pick up what I'm putting down--I mean, he doesn't dig my middle grade goodness. Thus, there's no conniving reason for me to sing his praises.

I just like him. And this is one big reason why: (re: people trash-talking bestsellers)

Nathan Bransford has left a new comment on the post "You Tell Me: Why is it So Hard to Tell if Our Writ...": 

anon-

Yeah, this is definitely a topic on which I get snappish. 

In response, I'd point again to this post, which explains in detail why I bristle. 

But really, I think there are a couple of factors at work:

1) People compare apples to oranges when it comes to books. If you're reading THE DA VINCI CODE and hoping for DUBLINERS that's your fault, not Dan Brown's. Dan Brown did what he set out to do really, really well.

2) Saying a bestseller is trash is kind of like saying a bench warmer on an NBA team is a terrible basketball player. Um. Yeah. He's no LeBron, but he's in the top 0.000000005% percentile of basketball players in the entire world.

3) A book has to do something really, really well to make it through the publishing process and to attract readers in huge numbers and prompt people to wait in line for the next one. 

4) We're smarter and better than that. We're writers, right? Use your words, say something a little more nuanced than "That book sucked." 
THANK YOU, Nathan!

I appreciate people like you.

Save Publishing? I'd Like to See an Easy Transition is all.

ShelfAwareness posted an article this morning called Hashtags Could Save Publishing.

At the bottom, they include some of these increasingly popular twitter hashtags:
Other tags on reading and the book industry, some more (ahem) playful than others:
  • #askagent, in which agents field questions from writers and readers
  • #bookrageous, chronicling some of the outlandish things readers and booksellers are doing in honor of their favorite books
  • #bookstorebingo, which tracks some of the crazier things customers say to booksellers
  • #followreader, featuring weekly conversations exploring the evolution of publishing as an industry
  • #fridayreads, which encourages Twitter users to exchange notes about what they're reading on a given Friday
  • #pantyworthy, the book version of throwing panties at your favorite band
  • #pubQT, in which publishing veterans Ron Hogan and Ed Nawotka answer questions and encourage conversation about the future of publishing.--Jenn Northington

The one that got me going all yesterday afternoon is the one that started their article: #dearpublisher

It's like Dear High School Self (#gimmeacall), except that publishers were actually tracking the conversation, and your high school self was completely oblivious to your well-intentioned advice.

There were many valid and interesting comments by readers, authors, agents, and publishers (and it continues today). #dearpublisher has been an industry-wide forum...mostly for complaints. But there have been a few gems, and I was surprised and honored when one of my tweets became the most retweeted comment in the bunch. It's nice to know so many people agree. Here was my request of #dearpublisher(s):

Katrina Lantzkatrinalantznov 
#dearpublisher Combine ebooks with hardcovers, but please don't stop printing books ever. The book is not dead. It just had babies.




It's not a new idea, and I suppose that's why it resonated with so many people. They've all been thinking it. Bundling ebooks with paper books is a concept plastered all over the web, for people with eyes to look. And now twitter has made it especially easy for publishers to see the demand. 

The second part of that tweet was born out of my frustration with people saying the book is dead. Uber-agent Nathan Bransford wrote eloquently about this in his blog post: Buckle Up! But even as optimistic as he is (God bless him), he's still predicting physical/paper books will wane and bookstores/libraries as we know them will be no more. 

I don't see why this has to be the case. Certainly public demand has shifted to include a new format for receiving books. There are now hard backs, paper backs, ebooks, audio books, and even book apps. But nobody decided, when books on CD became popular, that they should give up printing paper books. It's simply another format. 

A shift in demand calls for a dramatic shift in publisher and bookseller business models. I'm not knowledgeable enough to pontificate about what that change should include. I leave it to the experts. But I steadfastly believe that the culture of bookstores and libraries is one still loved and cultivated by millions. Bookstores are not the ghost-towns we are being led to believe. My husband and I walk around a local bookstore almost every weekend, perusing the new selections and often buying multiple books, in spite of the tough economy. For those of us who read, these places are a sanctuary against outside stresses. We still have to wait in line at the checkout.

So if people are frequenting bookstores, why don't book sales reflect the crowd? 

Conundrum: Booksellers must pair wandering bookstore patrons with the books they're craving.

Answer: Creative marketing, continued market research, and accessible technology coupled with (not replacing) human in-store service.

About marketing: When I log in to facebook, a series of out-of-my-way boxes along the right side of my screen advertise things that actually interest me. Every time I click on one of those links, I'm thinking, This is brilliant marketing. They've really made it easy for me to find stuff I like. Advertisements are only annoying when they're pushing stuff you don't like. So keep looking, booksellers, and find the people who like your stuff. There's probably a huge group of them on goodreads.com or elsewhere just salivating for what you have to offer.

Inside the store: Let there be some sort of kiosk, as in the library, where books can easily be found as soon as you enter the store. But bring back the days, if they ever existed, when bookstore clerks recommended their favorite books based solely on a generic request for historical romance or something scary with spiders in it. That last one wasn't very generic, but you get my drift. Culture in a bookstore does not mean coffee and donuts (though some people will riot at my saying so). Create your own pleasant culture as a store and watch people wander in, fall in love, and tell all their friends. 

There's room for new formats for voracious readers without ousting printed books completely. Those of us still clinging to our bookshelves aren't doing it out of ignorance or intense anti-technology hatred. It's not a "book fetish" as one commenter on Nathan's blog insists. 

Books in print have stood the test of time for centuries. Many, many, many new and brilliant formats have emerged and been embraced. Still, books remain. And unless our society makes a conscious, deliberate decision to do away with them (a poor decision, in my opinion), they will remain for centuries to come. 

We don't need to save publishing. It's populated with friggin' geniuses (seriously, people!) already adapting to the fast-changing demands of its customers. Let's let our voices be heard and help them transition smoothly.

Cooperation benefits us all.

Tuesday, July 13, 2010

I Write Like... [insert famous author here]



I'm a fan of quizzes, widgets, and other personality-divining web devices. Don't ask me why because I'll be forced to psycho-analyze myself, always a dangerous endeavor.

They're just FUN!

Here's one I stumbled across on twitter today: http://iwl.me/

I encourage you to do what I did, which is insert several different types of writing samples. See if you get the same author multiple times, and pay attention to the type of your writing that's similar to H.P. Lovecraft or Rudyard Kipling or Margaret Atwood.

My blogging and dialogue frequently comes back Chuck Palahniuk, whom I've actually never read.

My poetry came back once Margaret Atwood and once Rudyard Kipling.

My prose came back Stephen King, Dan Brown, and J.K. Rowling.

Obviously, this doesn't mean I have their talent. It's a style thing. When I was at BYU, I had the pleasure of being taught by Wayne Larsen, one of the creators of Wordprint technology, a method of statistically measuring the words authors unconsciously use most often, supposedly as unique as a fingerprint. Though there are criticisms of the specific methods (which words are used as indicators of style: to, the, that, which, etc.), it has been touted as an effective way to discern between two or more authors writing in the same book.

I find this fascinating. I'd like to see more research done in this area. Perhaps, we could discover which authors' styles throughout history were influenced by each other. Most authors admit to their style being a conglomeration of books they've read. I wonder how reading affects writing statistically.

Now, I have no idea what algorithms this Mac software linked above is using. It's not likely to be exactly the same system as the Larsen group of BYU. But it is certainly FUN, no?

It may even be a way of noting inconsistencies of style in your own work. In the future, software for writers could be developed to red-flag portions that read differently--ones with excessive "that"s and "the"s.

Try the widget: http://iwl.me/

Who did you get?

Monday, July 12, 2010

Unrealistic Goals


Well, my birthday came and went without an offer of agently representation. Time to set another beyond-my-actual-control goal:

Christmas!

These little goals (nab an agent by my 27th birthday) may seem arbitrary and unrealistic, but it's little markers like this that keep me moving forward. Not a New Year's Day goes by without my writing/publishing goals inked solidly onto printer paper in my neatest (still messy) hand. The writing ones are all met. The publishing ones, not so much. And while this type of goal-setting can drive you to quit if you set your expectations too firmly, I believe there's value in them, if only for the daily affirmation they require.

Artists, almost by definition, are unrealistic goal-setters. If we weren't, we wouldn't be trying to make a living or leave our mark through art. We'd be doing something a lot more practical, like growing potatoes.

But art is our calling, or so we believe, and so we write--or paint, or sing, or whatever. Besides that, we feel it's worthwhile. As unrealistic as some people may believe our goals to be, we know for us they are necessary. What would the world be like if Robert Frost believed poetry was a waste of his time? Or if Judy Garland or Julie Andrews thought singing and acting were for pitiful dreamers.

Which crazy dreamers inspire you?

Feel free to share your unrealistic goals in the comments. Nobody here will laugh (or they will be BALEETED!).

Writing is Like Yoga

Yes, Writing is just like Yoga...it goes perfectly with Running.

Not what you were expecting, huh? This post is about complementary exercise, including my theory that Running/Writing are the best exercise buddies, arguably second to Running/Yoga.

I started writing when I was six...seriously. I could write my name at three or four, but six is when my earliest journal entries/poems are dated.

I started running way back then, too. It's a family hobby to this day, something that my brothers and dad do when they get together in the same state for a few days. We don't all run marathons, though I'm doing my best to train for my second one this year. But we all enjoy different things about running:


  • Endorphins. This is one of those DUH reasons. Best high ever.
  • Weight loss, or maintenance.
  • Fresh air and sunshine
  • The social aspect: running with a partner or team is one of the most efficient ways to share cooperative energy. Oh, and it's fun to chat and laugh at each other, too. 
  • Conversely, the quiet solitude: running alone provides peace, time to relax from outside stressors and focus inward.

That last one is the inspiration for this blog love fest. Wonder Agent Rachelle Gardner posted 11 Non-Writing-Related Ideas for becoming a better writer. One of these is exercise, the kind that gives you time alone--quiet time--to think and flesh out ideas.

As a lifelong writer and runner, I can attest to the incredible effectiveness of running both in inspiring ideas and in providing time to flesh them out.

Just yesterday, during a much-needed eight-mile run, I came up with two entire novel story ideas. TWO. That's way better than my average of half an idea per week. During some runs, I come up with more than that, too. Sometimes they fill my head so full, I go straight to the computer when I get home (much to my husband's chagrin) just to expel the awful things.

I think it's the combination of new sights, sounds, smells, and people PLUS the time to play with these ideas without the commitment of writing anything down just yet. It's the perfect equation for magic.

Of course, there are a million ways and places to get inspired. Just ask agent/author Mandy Hubbard. She recently wrote about it on her blog. I've got the same question for you with a little twist.

What are you doing when you get your best ideas? Shopping? Jogging? Dancing? TV-watching? Babysitting?

Do share!

Thursday, July 8, 2010

Heartbreak: a glimpse at my WIP




Gabe
Sweet Sixteen

The park gazebo sparkled with strings of icicle lights, white light against white paint. In fading daylight, the effect was charming. I wiped the sweat off my nose, scrambling off the ladder to reach my phone in time. Suits and summer don’t mix well. Sara’s “Never Without You” ringtone was almost through, and I ached to hear her voice again.
“Hey birthday girl, where are you?” I smiled into my phone.
“Hi babe, we’re at Prue’s house. She just finished my hair for tonight.”
A five-foot string of lights slipped off its nail and sagged, breaking my concentration. “Great, sweetie. I’m just about done with your surprise. Can I pick you up in fifteen minutes?”
“Umm, sure.” Even distracted by faulty decorations, I heard the waver in her voice.
“Is everything alright, Starlight?”
“Yeah,” she said, too fast, her voice higher than usual.
I chalked it up to nerves. It’d been two years since we first saw each other at the Fall Fair—a cheesy first meeting in line at the Ferris wheel. To be honest, I was only standing there because of a stupid dare. Brody bet I wouldn’t toss my drink from the top. Juvenile, I know, but we were fifteen back then. Sara was a year younger, but always more sophisticated.
Brody got his ten bucks, and I got Sara.
Two years later we still hadn’t kissed…I mean, not really kissed. Her parents were super strict. She wasn’t even allowed to date, technically, but we found ways around that. Tonight the sneaking ended. She was sixteen now, old enough to hold hands in public, go on full-fledged dates, and call me boyfriend—even in front of her regimented parents.
“Don’t worry,” I almost whispered. “Everything will be perfect. First, your surprise. Then, the party will really start. Can’t wait to see you.”
“Me, too,” she said. The line went dead.
That was sudden. Maybe I’m making her nervous with all the build-up to her surprise. I shrugged it off and got back to work. The errant lights back in place, I stood back to survey my art.
Several of the swooping lights looped lower than the rest.
I’m a musician, not an artist.
It still looked awesome against the coming darkness. Sara will be blown away.
After a quick call to Brody to check on the status of the rock band we hired, I stopped by my house to pick up my clarinet. Dorky, I know, but Sara thought it was cool. Granted, her reasoning was a little off (“It sounds just like a saxophone.”), but at least she didn’t think I was a dork for playing in the woodwinds section.
Prue’s house was the only purple house on the block.
“It’s lavender, Gabe,” she insisted when I pointed this out years ago.
“Okay, Prue. Whatever floats your boat.”
Prue never liked me much, but Brody wasn’t bonkers about Sara, either. We weren’t dating each other’s friends, so it wasn’t usually an issue.
Before I could knock, the door swung open. Prue, Tara, and Sara stood waiting in Three-Musketeers formation, smiling except for Sara.
“Hello, ladies. Might I borrow fair Sara for an hour?” I winked at her friends, who rolled their eyes at my sentence structure.
Cheerleaders. Sara was one of them, but I didn’t hold it against her. She, at least, knew charm when she heard it.
She took my arm and looked back at her friends with a strange mixture of regret and excitement. “See you guys at the party.”
“Good luck,” Tara called after her. Prue elbowed her in the shoulder. “What?” Tara whined, rubbing her arm.
I didn’t comment to Sara about her bizarre choice in friends. Tonight was all about making her feel like a goddess.
“So what’s my surprise?” she asked once we were on the road.
I shook my head. “Like I’m going to blow it when we’re two blocks away.”
“That close?” Her blue eyes widened just a little, and I could almost see her stomach flutter. I couldn’t imagine what made her so nervous, but I guessed the sixteenth birthday was kind of like the wedding day—anticipated from childhood, played out with Barbies, all that weird girl stuff.
I reached over the gear stick and squeezed her manicured hands. “You look beautiful tonight, Starlight. You always look beautiful. Tonight I’m gonna make you feel like a princess.”
She smiled. “Gabe, I have to talk to you about something.”
“Shoot, kid. I’m all ears.”
Her hand weaseled out of mine, and she stared at the dim road ahead.
“What’s wrong, Sara?” She used to love it when I called her kid, but maybe turning sixteen changed that.
For a long minute, she said nothing, but her face bent in earnest concentration over something. “Uh, nothing,” she finally muttered. “Just nervous about the party.”
“Well, hey, it’s just gonna be close friends. Your parents are even coming. I guess they don’t hate me as much as I thought.” I grinned, trying to quell her anxieties with a look. If only it were that easy.
“My parents?” she sputtered. “What possessed you to invite them?”
I pulled into the parking lot, trying to think of some way to answer this sudden hostility. Sara had never yelled at me before.
“Obviously, I made a mistake,” I apologized immediately. My eyes darted up again at the sound of her gasp.
“Oh my gosh, Gabe. You didn’t have to…”
My smile returned as I watched her take in the sight of the lit gazebo. “Starlight for my Starlight,” I whispered, then got out to open her door.    
My extended hand went unnoticed for what felt like forever. “Sara?”
When she looked up at me, her face streaked with tears. Black makeup ran from her eyes across her perfect skin, threatening the white dress.
I retrieved some Kleenex from the glove box and gently dabbed the stains from her cheeks.
“I hope those are tears of joy.”
But then there was a sob from her lips that didn’t go away. It kept building. I reached for her, guiding her to the benches, my clarinet clasped firmly in my other hand. There was absolutely nothing I could do about her tears. They were coming too fast.
Stick to the plan. It was all I could do. The low, slow melody of “Never Without You” waltzed from my instrument as she sat beside me, quieting.
My eyes closed as the sweetest part of the song played through my mind. I knew she was thinking of those words, too, feeling what I felt.

Never far,
We dance on
Holding tight
To this song
Stars twinkle
Celebrate
We become
One heartbeat.

Never far,
We become
One heartbeat.

At the end of the last long note, I opened my eyes, setting the instrument down beside me on the bench. But my smile evaporated as my gaze came to rest on Sara’s face.  
She glared at me.
“Why do you have to make this so difficult?” she asked, every word tense through her teeth. There was nothing lovely about the way her reddened, black-smeared eyes flashed now.
The stupid faulty light strand slipped off its nail again, an echo of my heart’s downward motion, and I gulped at thin air, struggling to reconcile her reaction with my actions. “I’m sorry. I-I-I thought this was what you wanted. What did I do wrong?”
Eyes closed and head bowed, her frame trembled with emotion, and even I could tell it wasn’t the good kind. There were a million ways I imagined her responding to my song: smiles, kisses. Nostalgic tears, maybe. Anger and disgust were nowhere on my list.
Her eyes continued to avoid mine. “It’s over, Gabe.”
The light in the gazebo dimmed. The air held stock-still. The easy breeze that played with Sara’s hair two seconds ago vanished.
I sat still, too stunned to speak.
Her voice filled the empty air instead. “Look, don’t…I can’t stay chained to one person anymore. My parents expect me to date other people. I mean, we’ve been together so long, I don’t even know who I am anymore. With Tara and Prue, I’m one person. With you, I’m just Starlight, this perfect picture of a girlfriend you made up sometime between the Ferris Wheel and this godforsaken gazebo. I’m sorry, but we’re not soul mates. And I can’t waste anymore of my teen years acting the part somebody else made up for me.”

I’m sure my jaw dropped, but I don’t recall exactly what my face did after that. All I knew was Sara dumped me. Her scripted break-up speech crashed into the lingering glow of my love song, and by the time the band showed up—and our friends started arriving at the park—I was long gone.

My tie and suit jacket lay balled up in the corner behind my bedroom door, atop my sealed clarinet case.
“Gabriel? Home so soon?”
I slammed the door before my mom’s feet hit the stairs. No way was she going see me like this. Nobody would. Not now, and not ever. 

I'm Baaaack (from family vacation)

Arizona temple, aka the building where my husband and I were married


My 3yo son took this picture of the reflection pool on temple grounds

Vacation over!

I'm sure you've missed me. :-) I've missed you, too.

Now it's back to mountains of laundry, unpacking suitcases, re-reading my WIP synopsis and trying to figure out what the heck I was going for before my five-day hiatus.

And back to blogging. *happy sigh* I missed this.

While it was heavenly to spend time with my family, close and extended, the greatest reprieve my little vacation offered was from myself. Yes, I checked my email for query communications. No, no offers magically appeared (that would be a good story). But I didn't think (much) about plotting the perfect story. I didn't feel guilty for going a few days without lifting my proverbial pen. I just lived. I enjoyed my sons' cuteness, my husband's sense of humor, my brothers' competitive spirit, and my parents' unconditional acceptance. I basked in the July Arizona sunshine and went down the water slide TWICE! I got a necklace from my mom's trip to Hawaii (though I've still never been there myself), and a pair of yellow and white sport Skechers at Ross for $25. I read SOULLESS by Gail Carriger on my brand new Barnes and Noble NOOK (both fantastic products, btw). In short, I ditched my computer tether and saw a few of the things I like to write about: people, places, and pluck (courage or resolution in the face of difficulties.).

Almost the moment we returned home, my stories began invading my mind again. Mostly, it's Azalea and her antics that keep me up at night. Oh, Zales, what are you doing to me?

I'm washing the dishes while my husband talks to me. Somehow I don't realize he's asked me a question until a few seconds of silence follow. Luckily, my brain stores that information in temporary files, so I'm able to retrieve the question to answer it. "Oh yeah, let's have a light dinner tonight. All that junk food definitely needs some health food to wash it down."

Then she's back. Azalea's doing flips, zapping around (her kind does that), making snarky remarks to Tabitha, who sighs deeply at the teenager's disrespectful ways. Oh, the shenanigans. This is why I write. To get the darn voices out of my head and onto the page so I can get some REST!

Oh, and because it's delightful, good fun.