Blog Chain: His eyes narrowed... again. (Overusing words/scenes)

Source

Christine asks: What are your "go-to" scenes or phrases? You know, the ones you have to remind yourself NOT to use too frequently? What do you do to keep yourself from being overly reliant on them?

If I have any go-to scenes, they're probably revolving around relationships. I feel like I'm always writing a falling out or a making up. This means there are a lot of repetitions I have to watch out for in my writing, like fuming and eyes narrowed.

I find the synonym project by Angela Ackerman and Becca Puglisi to be the most useful tool in revisions for getting rid of these little glitches. They have a book out called the Emotions Thesaurus that is an essential reference tool. In the sidebar at that link, you'll also see character traits, physical traits, setting, and symbols. They've got unique ways to say pretty much everything!

What scenes or phrases do you over-use?

Catch up with Christine Fonseca to see yesterday's blog chain post,

and check out Demitria Lunetta's tomorrow.

UV, W, X, Y, and Z -- Mysteries of Science Explained by Electricity

UV, W, X, Y, and Z, the last days of the A to Z April Challenge.

Yes, obviously, I failed a little at the challenge, but at least I failed with flare! This last installment includes fascinating links from around the web! Since I'm a huge fan of speculative fiction, specifically science fiction, I thought I'd share some of my research links with y'all. These articles/videos are a great way to kickstart your imagination if it's been dormant (like while line-editing) for a while.

From the sun to water vapor to ancient artifacts to futuristic bandaids, electricity rules the world

Electric Currents Create Magnetic Fields in the Sun 
(okay, this doesn't start with u or v, but UV rays... from the sun... get it? 



Let it Rain - how electricity governs our Weather


Robot finds mysterious spheres in ancient temple in MeXico < See what I did there? (This discovery is beneath the Temple of the Feathered Serpent, which is connected with electric plasma theory/unified theory of myth/ancient cosmology)


ElectricitY Can Help Heal Wounds (Dnews video) 


The Mysterious NaZca Lines video (More photos here) These are also possibly lightning-related



Hope you enjoyed the science and archaeology tour! Be sure to head over to Operation Awesome tomorrow morning bright and early for our Mystery Agent one-sentence pitch contest.

Q, R, S, T: Quasing, Roen, Sonya, and Tao

Spies and aliens: a match made in heaven.

Go read The Lives of Tao by Wesley Chu (Couple's Review)

It's my first couple's review with my husband after we used THE LIVES OF TAO for our date book over the course of the past month. A chapter or two each date night kept us laughing and intrigued. But last night we couldn't put it down after our usual few chapters. There was too much at stake! We read for a couple hours and both very much loved the ending.

Quasing from Quasar

The Quasing are an alien life force that relies on a host for survival. They feed off enzymes in carbon-based life forms and also get protection from wind, cold, and heat within our relatively harder casings. Without a host, their thin membranes can be shattered by a strong gust of wind, scattered to the Eternal Seas. What's intriguing about these aliens? They've been here on Earth since before mankind, and have been instrumental in mankind's evolution. Once mankind reached an evolutionary stage where they could be equal partners, the Quasing split into two political factions: The Genjix and The Prophus. The Prophus tend to consider humans as partners worth protecting. The Genjix consider humans a means to an end. They are supremacists at the core. Author Wesley Chu did a thorough job creating this alien race. Hardcore sci-fi fans will find plenty to love in The Lives of Tao.



Roen Tan

One reviewer compared our protagonist Roen Tan to Brendan Fraser, such is the quirky lovable nature of his character. Much of the humor in the first half of the book is drawn from alien Tao's attempts at getting couch-potato Roen out on a running trail, or out of an attempted assassination alive. With all his faults, Roen is lovable because he is humble, compassionate, and loyal to friends. Also, the man can't lie to save his life... literally. Not exactly the type of person you'd cast in the role of international man of mystery. And yet it works so well in The Lives of Tao.



Sonya Lyte

Sonya shows up at Roen's door to train him in hand-to-hand combat and fire arms. Well matched to his goofy sense of humor, she also knows when to get deadly serious. Unlike Roen, she is not an accidental host, but the daughter of her quasing's former host. She was raised for this, and it's intensely personal for her. Like Roen comments at one point in the book, she would never be a Bond girl, but she'd be the one kicking James Bond's butt.



Tao

Formerly known as Genghis Khan, Alexander the Great, and the creator of Tai Chi, Tao has been influencing human politics since before human politics existed. He has millennia-old enemies who hold millennia-old grudges, and his chubby, uninitiated host Roen Tan gets to deal with all of it. Tao has a few things in common with Roen. He's fiercely loyal to his hosts and his friends, even to a fault. He's compassionate, too, seeing his host as an equal partner and allowing Roen to choose whether or not he takes a wise, ancient alien's advice. Their relationship is mostly humorous at first, but deeply bound by shared loyalties and mutual appreciation in the end.

(Letters and concept of A to Z April challenge here)

READ AN EXCERPT at TOR.com 

Buy on Amazon: The Lives of Tao

NOP - NOT ON PURPOSE

The Blogging From A to Z April Challenge is more than halfway through. Time marches forward. While I'm not officially linked up, I'm participating for the fun of it.

Due to the Boston Marathon massacre, I've been unable to blog, or do much of anything besides fix meals for my kids, answer their questions, tweet, facebook, and obsessively watch the news. 

Now that they've got the last suspect on the run, and everyone has been identified, I feel it's time to move forward with business as usual, though I know for many of us life will never, ever be the same. 

If you are struggling to cope with this unspeakable tragedy, I strongly suggest reading author Carrie Jones' recounting, "I have a bad feeling," reprinted with permission by Huffington Post. 

NOT ON PURPOSE

Now to the alphabet letters. I figured I'd do N-O-P together and then Q-R tomorrow, which will catch me up officially. Instead of three individual topics to make this post truly dizzying, I'm combining them into a phrase:

NOT ON PURPOSE

This is a phenomenon found in all art (and computer science, too), wherein some "ghost in the machine" or Providence puts a meaningful or mystical element into something otherwise completely man-made. 

Most artists purposely work symbols, spiritual or political statements into their art, whether with brush or pen. But often, through no device of their own, the thing that most resonates with people is the thing they did not intend. 

A bunching of paint that resembles an angel in the corner, or the unwitting symbolism that meant nothing during the author's time but means everything to us today. 

You may have experienced this when a reader said of your short story, "Wow, the way you drew your villain is so deep. I've never seen anyone do that before."

"What?" you say, with interest. 

"Oh, you know, making him mute, as if to say we're all incapable of expressing our true inner selves."

"Oh that," you say. "Right, that's... what I meant to do. Exactly."

Maybe you did. Maybe you didn't. 

But it's there. Not On Purpose is why art is art. It's the magic that allows every single viewer or reader to see in your art something intensely personal, just for them. Or sometimes it's the magic that unites us all, striking every human being on a higher level, something basic to all of humanity. 

Either way, it's usually quite a shock to the artist, if he or she is still alive to ruminate on patron response.

In pre-published writing, this type of reader feedback may spur a new direction in the story or a sequel or a complete rewrite. Post-publication, it's simply something to celebrate. 

Not On Purpose makes art transcendent. If you find it has happened to you, don't argue. Embrace it. Maybe the universe isn't whispering,

Or maybe she's talking specifically to you.

BLOG CHAIN: Thick Skin is Scar Tissue

Alyson asks: Have you developed thick skin as a writer? How do you handle having your work critiqued? Do you love revising? Hate it?

Cartoonist

I think I've developed a pretty thick skin (a nice way of saying scar tissue), but there's still a sting when I'm criticized, especially if a reader didn't get my character at all. 

My favorite critique partners mix the praise with the critique, and that goes a long way toward soothing the sting. When I receive scathing reviews someday (still unpublished), it'll probably be really hard for me to take. I plan not to read them whenever possible.

As far as revising to critiques, I love it, especially when the suggestion jives with me. Like a, "Why didn't I think of that before?" sort of thing. If it doesn't make sense like that, I'll generally skip the advice or else try to solve the lump in the road in some other fashion.

Revising by myself is the bane of my existence. I think creativity is a cooperative process that needs to involve at least one other person. I'm cognizant that not all writers feel this way. But then again, most solitary writers drank heavily and/or killed themselves.

How about you? Thick skin? What types of critiques sting the most?

Catch up with Christine Fonseca to see yesterday's blog chain post,

and check out Demitria Lunetta's tomorrow.

Afterglow Book Reviews: Jessica raves about SNARK AND CIRCUMSTANCE by Stephanie Wardrop

M is for Marlowe: THE OTHER MARLOWE GIRL by Beth Fred

M is for Marlowe Girl.

Want to combat real-life pirates? 

Me, too! 

Today I'm sharing Beth Fred's sequel to THE FATE OF A MARLOWE GIRL. 

Add it on Goodreads

Book Two, titled THE OTHER MARLOWE GIRL, is about an ex-ballerina-turned-stripper-turned-ballerina-again.

The blurb:

When twenty-four-year-old dance school drop out Kammy Marlowe is evicted by her mother, she goes to her favorite bar. She finds an unlikely friend in the blunt eye candy, Enrique. But Kammy knows there is no way she and Enrique have a shot because he's her brother-in-law’s brother and has been privy to her wild past. 

Enrique swears he’s only interested in the person she is today, but their relationship is tested when her ex-husband's drug dealer attacks her, looking for money. With no options and a money hungry drug dealer on her back, Kammy accepts a position as a dancer at a strip club. But when Enrique shows up at the club, their relationship is over. With no reason to stay in Texas anymore, Kammy auditions for the Bolshevik Ballet and gets the opportunity to go to Russia. Only Enrique is determined to stop her. 

Will she give up the chance of a lifetime to stay with the man she still loves?


A little bit about Beth:

You know she's sweet because she used the A to Z challenge to promote OTHER writers! I caught wind of her beautiful book and pirate trouble while reading this post featuring Afterglow's own Jen Daiker.

From her darling blog:

Meet Beth Fred! That's me! I'm a full time ELF keeper and part time writer/blogger/writing instructor. I'm represented by Kathleen Rushall of Marsal Lyons Literary Agency. I like my tea hot, my romance sweet, and my guys chivalrous. Real men hold open doors, refer to you as ma'am, make promises they keep, and aren't afraid to profess their undying love. It's not breakfast if there aren't carbs(at least, not in the South). Fajitas, carnitas, and churros are just few of my favorite things. Bet you can't guess where I'm from ;)

L is for Letting Go

the challenge

L is for Letting Go

This is a tender topic for me, something that's hard for me to do personally, and I'm sure was hard for my mother before me. When you've done the best that you can, when you've given something or someone your all, there comes a time when you have to let it/them go. 

For mothers all over the world, this is a terrible balancing act. When and how do they let go? Baby birds learn to fly at great personal risk, and mothers must watch helplessly. But the truth behind the questions of how and when is that it isn't up to us. There comes a time when children stand up and say, "I am me. You are you. I'm going now. This is my next step into the world." 

Whether we let go or not, the time comes when our white-knuckled grasp is only holding air. 

It's this way with art, too. Like children, art comes from a very tender, private place inside us. It is cultivated by our love and attention. It is shaped by us, as much as it is within our talents and power, to resemble what we think it ought to be. And when we've done our best, given our all, it's time to let go. 

For authors lucky and determined enough to have publishing contracts or self-publishing release dates, that time is a specific date. For them, letting go is a fixed affair. "On this day I will send my book baby into the world, come what may." You see a lot of posts to this effect on twitter and facebook. Authors say, "I've done it. It's release day. I'm sending it out into the world. I hope you love it." 

But you can't make them love it. You can't even make them understand it. People will misunderstand your art, just as they will insist on misunderstanding you. People will chop up your work, quote it or paraphrase it out of context, make you look silly (sparkly vampires). People will snark about what is sacred to you, make themselves seem clever while tearing you down. It's what people do sometimes. 

People may review the earliest edition of your self-published book (as happened to a very vocal disgruntled writer a few years back). They may reprint your typos and call them stupidity. 

And they will do all of this without asking for your permission. 

Let it go.

Then there are artists like me. I'm not published, and I haven't published myself. I've talked about it. I've thought about it, but I'm just not ready. Some of my closest friends and family say, "Let it go." Just put your art out into the world and let it be read, even when it's not perfect. I resist. I want it to be perfect. I want it to be without flaws. I want to "avoid those weaknesses which often expose a strong understanding to ridicule" (Darcy).

Some painters swipe and brush away at their favorite pieces in the lamp-lit corners of their houses, never portraying their art to the community because all they can see are the flaws. I don't want to be that. But I also want my "debut" to be auspicious and what they call promising. I want to be read and appreciated and most of all understood. 

So I can understand if even a traditionally published author has trouble, because I feel it, too, the resistance, as tight as a rubber band, to the notion, the pull against gravity, telling me to

Let it go.